Sheaf+Barley at LADA
We are delighted to be working with those ‘cunning folk’ Sheaf+Barley on a residency and a new commission - two participatory projects that respond to LADA’s East London homes past and present.
In September 2017 LADA moved from Hackney Wick to The Garrett Centre in Bethnal Green. To support our relocation to a new neighbourhood and the next chapter in our history, as well as exploring ideas for new ways of working at our new home, and testing new approaches to engaging with local people, we have invited Sheaf+Barley to undertake a residency with us, and commissioned them to create a project that responds to the physical, cultural and social context of The Garrett Centre.
Sheaf+Barley - In Residence
In Spring 2018 Sheaf+Barley will undertake a 'pilgrimage' to the different spaces LADA has inhabited since 1999, gather plants from those sites to replant at The Garrett Centre, and in the process think about the psychic 'leftovers' of LADA’s former homes and how we carry these histories. At the end of their 'pilgrimage' they plan to create a public event inviting people to come to The Garret Centre with a plant of their own, making a tapestry of people who make LADA together in the form of a living and growing 'archive'. Look our for announcements and calls for participation.
Sheaf+Barley – The Garrett Centre Commission 2018
Sheaf+Barley are developing a collaborative project creating stained glass windows.
“How can people tear the right to inscribe public space away from the powerful? Across London people are evicted from their homes as land is extracted into private hands through a process of state-supported gentrification. Public art masquerades as a way of ‘giving back to the local communities’ as it quietly allows gentrification to continue unabated.
LADA has just moved into a former church space on Mansford Street. Sheaf+Barley want to invite people on Mansford Street to author stained glass windows using LADA as a base. Stained glass windows have long been the expression of ruling class Christian power in Europe, but this language can be hijacked and remade with the images chosen by those living around The Garret Centre. The windows will literally set the people who have shaped it into the space of the street, a sign saying ‘we are here’. We will facilitate a process where the resources of LADA become accessible to the people who live around it, where art-making is not an elitist process hand-in-hand with a process of gentrification, and where privatised public space can be written upon and made communal through something that is somehow powerful and beautiful”. Sheaf+Barley
Sheaf+Barley think belief is a radical act, and that to interrupt hegemony we must be in a constant state of uprising. They see much of their work as telling stories and creating spaces where stories can be told and exchanged, temporary spaces of comfort and stability in a world that is otherwise in freefall. They cobble together ways of being in the world responding to now and directed towards the future, a direct response to the forced existence of precarity and self-isolation which is being violently exported across the globe. Through a mixture of research, action, and belief, Sheaf+Barley create a set of tools that can be used by themselves and others. The work produced is a public sharing of this continually developing tool-making, made in dialogue with everyone who comes into contact with it. Everybody can be cunning folk.
The Garrett Centre Commission has been supported by The Collaborative Arts Partnership Programme, an innovative four year collaborative arts programme co funded by the European Union